TOILETS, PAPERS, CARDBOARD BOXES OF A COUNTRY’S SECRETS
Image created by The Smart Set.
THE SMART SET | January 11, 2024
When we think of iconic images, those that tell the story of a nation and its people, we imagine art-photography, masterful stills of gestures and chiaroscuros that illuminate a person’s character and hold the unseen captive for our witness. These images come to represent our loneliness, our bravery and empathy, our fracture and pain. The image of the boxes in Trump’s bathroom is not artful; it is not part of the aesthetic tradition of front-page photographs and National Geographic’s Photos of the Year. Yet it illuminates as much as the paintings and photographs in Guggenheim, and it portrays the strange, absurd state of politics in 21st-century America.
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With Trump comes the surprise that oftentimes these secret dealings, the private lives of presidents and kings, might be more banal than the little dramas of our own. That the images a country uses to brand itself — flags, crests, military uniforms and vehicles, podiums, manicured gardens and lawns — sometimes give way to the other images that define a country: landfills, fires, handcuffs, corpses, guns. […]
“A NEW LIFE FOR US”: ZELDA AND THE FUTURE OF STORIES
PUBLIC BOOKS — December 6, 2023
Tears of the Kingdom, like life, is about existential calamity; the manipulation of technology for evil and for good; power; faith; collective responsibility; and our confrontation with the always-present past. … It is also about the small dramas and splendors of daily life: accidental discoveries; obligations of family and work; feelings of loneliness and togetherness; and moments of letting the silence and peace of the natural world wash over your fleeting human travails as you watch the sun bathe the sky and sea in golden light at dawn.
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After a half-hour of waiting for the employees to retrieve the large boxes from behind the locked door at the back, I began to understand what we were all doing there. We were searching for a deep encounter with ourselves and with the imaginations of others, like the hypebeasts who lined up in their too-clean sneakers for each limited release, outsiders assembling on the occasion of the new, seeking an encounter with beauty. Like desperate dreamers, like Koltins gathering in the dark: feeding ourselves on games and midnight hours, all in the earnest search for the transformation of the self. […]
ON HOW TO DRAW A NOVEL, ESSAYS AND DRAWINGS BY MARTÍN SOLARES
ON THE SEAWALL | January 9, 2024
Solares points out that “the good novelist multiplies the reader without their even noticing,” a marvelous and accurate image, because is it not true that, once an author moves us with her prose, once we pass through the world of a novel, we emerge as more than what we were when we began, as multiples of ourselves? […]
MARIE DARRIEUSSECQ PLUMBS THE DEPTHS OF SLEEPLESS NIGHTS
THE MILLIONS | October 30, 2023
I will never forget the first time I saw the devil—leering at me, lurking in the corner of the room, glowing red and approaching my motionless body. I was caught between sleep and waking; I blinked furiously; I struggled to rouse my heavy limbs as he raised his hand to my face. I could not even muster the strength to open my mouth and cry out, help, mommy, help, the monster will get me— […]
EVERYWHERE BERGAMO
WORLD LITERATURE TODAY — August 30, 2022
What went on behind those walls? Those closed doors, those one-bedroom, two-bedroom units? Those midrises and those studio walkups? In those little rooms obscured by neighbors’ bodies, which he could glimpse over their shoulders, seeing a plant, a metal bookcase, ripe fruits on the counter as the keys jangled and the door shut? […]
YU-GI-OH! AND US: REMEMBERING THE FATHER OF MILLENNIAL CHILDHOOD DREAMS
THE SMART SET — July 28, 2022
Why did we love those fantastical drawings, and why did it hurt when I lost them to hot water? What did Takahashi know about us that nobody else did?
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This is why Yu-Gi-Oh! mattered to us, why I couldn’t sleep for nights because of the loss of my favorite cards: it represented the challenge to improve and overcome yourself, to debate and listen to the voice within your head, and to come to terms with having someone inside you who is both you and not you — who is better, stronger, smarter, wiser and more mature, but also distant, capricious, and unknowable. Takahashi’s fictions visualized the reality that we carry a self within us who is different from the one everyone can see. […]
THE STORY OF MASS SHOOTINGS, REPEATED IN HIGHLAND PARK (OP-ED)
THE CHICAGO TRIBUNE | July 5, 2022
WISCONSIN STATE JOURNAL | July 10, 2022
My generation grew up in the 1990s and 2000s learning the story of civilian massacre. Mass shootings remained behind the TV screen, uncanny horrors that seemed too distant to be human. But in school we huddled in dark corners in preparation for our death. We were forced to see ourselves in the story. I imagined what I would do — perhaps fleeing, perhaps defending those beside me in heroism that would prove my character to others and to myself — as well as what I would say at the microphone as a weeping family member or friend. All of us did this, and our country has permitted enough mass shootings that we do not only fear them but also are now waiting for our turn to be the victims running from bullets and shrieks.
I have reached the part of the op-ed when the writer typically offers a promising cliché: We must unite, we will change our story, etc. I can’t. […]
NEW WAYS OF WRITING THE DYING WORLD
PLOUGHSHARES | January 20, 2022
Czesław Milosz’s most famous poem asks, “What is poetry which does not save / Nations or people?” He posed the question in the ruins of Warsaw in 1945. Now, more than seventy-five years later, is it poetry or the novel that will save us from our demise? Or the movie, or the pop song? Can we believe that one book, written in short sections with run-on sentences, will rescue us? […]
THE POETRY OF WISŁAWA SZYMBORSKA AND ALEJANDRO ZAMBRA’S BOOK REVIEWS
PLOUGHSHARES | December 22, 2021
What else makes a book review? Adjectives, snappy-one liners. Paragraphs without transitions. Overgeneralizations and judgments. Precisely imprecise star ratings. John Updike’s guidelines include ascertaining the author’s goals, direct quotation, plot summary (not too much), and, if deeming the book a failure, pointing readers to a successful example. The review also depends on the author and venue: a magazine like The New Yorker, for example, allows the writer more space to explore a book’s ideas and techniques. The reviewer earns these inches in newspapers if they are a well-regarded novelist, like Knausgaard writing about Michel Houellebecq’s Submission (2015) or Chimamanda Ngozi Adichie about President Barack Obama’s A Promised Land (2020). In these instances, the review becomes a space to explore the reviewer’s self, an opportunity to show how their way of reading novels can illuminate a great new work for us.
Simple enough. But what about the Neanderthal’s tears? Sometimes I enjoy reviews, and their summaries guide me to books I will cherish. But why don’t I feel anything when I read them? Why do I long for something else? […]
HOW TO START WRITING
(AND WHEN TO STOP)
CHICAGO REVIEW OF BOOKS | October 5, 2021
Our writing quotations, in slightly different ways, all say the same thing: attend to the world.
Szymborska knows this. She knows that offering technical or theoretical opinions will not inspire great novels or poems. She knows that chairiting compliments, mandating reading, or proffering degrees will not make a writer. A writer makes herself—despite the teachers, institutions, and societal expectations that work to reduce her to a boring, clichéd, dead-in-the-imagination existence that the rest of society accepts. Because writing, before anything else, springs from personal vision, a self-sought taste, an inner voice, bravery in choosing solitude, and hours alone with the keyboard and pen. And this is just another grand statement about the art. It will mean nothing for the young writer until she lives it herself, alone, and looks back on what she has made. […]
THE LUMINOUS NOVEL
MAREKWRITING.COM | October 4, 2021
Here is a warning about The Luminous Novel from the narrator himself: “Nothing spectacular has happened, and I hope nothing does.”
Mario Levrero is not writing to entertain. When he won a Guggenheim, his “friend encouraged me to write a story I knew would be impossible to write, and he imposed it on me as a duty.” Levrero bears his duty, returning to the story he abandoned sixteen years before. But as he admits in the introduction, “the task was and is impossible. There are some things that can’t be written about. This whole book is the testimony of a monumental failure.” […]
IN MEMORY OF MEMORY
ANOTHER CHICAGO MAGAZINE | May 25, 2021
I like to read newly translated authors because they allow you to see a reality different from your own through gentle, patient eyes. If the author is good you start to realize that your reality and theirs are not so different. And you fill with the excitement of understanding despite difference—the miracle of art—and feeling like you have discovered something valuable, a secret you want to save for yourself but also share in with the uninitiated, who do not yet know what awaits them. […]
SECOND PLACE
THE RUMPUS | August 4, 2021
You can hear the difference in Rachel Cusk’s new novel. Her Outline trilogy redefined the narrator, as it abandoned characterization, plot, and description for the reported speech of others set in a cool, distant tone. Reading those books felt like eavesdropping on the calm, perceptive conversations of strangers in cafes. The narrator, Faye, listens more than she speaks, and she creates her presence through her absence, through the outline she forms in her milieu.
From the first sentence, then, Second Place announces itself as different. […]
FIVE DIALOGUE POEMS
BOOK XI: A Journal of Literary Philosophy | Issue 8, June 2021
“A University Professor Chastises My Niece for Her Essay on Beauty”
“Vows Exchanged at the Ghost Wedding, Long Overdue”
“Heritage”
“Poem”
“Philosophy at 12:15; Or, at the Office of the Dentist”
THE COLLECTED BREECE D’J PANCAKE
THE SMART SET | December 7, 2020
I first heard of Breece D’J Pancake in a small pizzeria an hour west of Chicago. I had not been tending the bar that summer night, but Rae was, and when I came in to pick up a pizza she said to the lone man at the counter, writing, he does writing, and she called to me from behind the bar, saying, Honey, honey, O, honey, you need to talk to this man, he is a writer, too. […]
THE LOST SOUL
CULTURE.PL | February 23, 2021
After publishing ‘The Books of Jacob’ in Poland in 2013, the historical epic that has been considered her greatest work and that she has said left her mentally and physically depleted, Olga Tokarczuk wrote the text for a picture book. It is as if, after filling hundreds of pages with grand characters on her own, with voices from all the choirs of life and time, she needed to reach for something more collaborative, for something other than voices and words. […]
THE MYSTERIOUS CORRESPONDENT
ON THE SEAWALL | April 13, 2021
In the 1890s, two decades before the publication of In Search of Lost Time, Marcel Proust wrote short stories. He printed 11 of these in Pleasures and Days but abandoned the rest as handwritten, unpublished drafts marked by insertions and deletions. Bernard de Fallois, a Proust scholar, discovered the stories in the 1950s, along with Jean Santeuil and Against Sainte-Beuve. But while the latter were published then, the stories remained forgotten in the archive until 2019. […]
AN ELEGY FOR A.J. FREUND
THE NORTHWEST HERALD | April 27, 2019
AJ Freund was not a ghost. He walked the earth in a body, a real body, one that bore bruises and hunger, the coldness of water and dirt, and pain. He walked the earth in a body, a body we could see. This is a body we saw in grocery stores, through car windows, through house windows, over fences, over suburban streets and sidewalks, in emergency rooms, in our restaurants and stores. This is a body his parents should not have possessed. This is a body that should never have been returned to them and their cruelties. […]